Monday 30 November 2009

in six weeks' time

for elena and nic, and for kate and david, for being brave.

You are the known way leading always to the unknown,
and you are the known place to which the unknown is always
leading me back.


from wendell berry's 'the country of marriage'.

Tuesday 24 November 2009

coveting


the empire of wonder that is it's nice that just keeps growing with the launch of a brand new zine 'if drawings were photographs'.


from the website:
The brainchild of designer Rob Matthews and Illustrator Tom Edwards, put simply – “Tom gave drawings to Rob and Rob tried to make them into photographs.”



keep an eye on goings-on over at it's nice that towards the end of december, when sanky will be rummaging about in his bag of tricks for a special series of guest posts. yay!

while on the subject of pretty things, present and correct is brimful with goodies making my credit card itch.

this has my name all over it:


maybe i'd be better at remembering what day it is if i had this calendar...


and anyone who watched last night's installment of david attenborough's 'Life' series will have a whole new appreciation for this no-nonsense educational poster:

Monday 23 November 2009

home (?)

checking flight prices this morning for my upcoming trip back to my hometown, perth, i checked my rss feeds and saw that facehunter has just been through.






that scorched blue sky and bleached, scrubby landscape makes my heart ache with longing.

the sight of amplifier bar, rosie o'grady's (where i once had my drink spiked), and 'beware snakes' signs do not.

it gets less and less like home every time i go back but somehow that strange outpost with its back to the desert will always be in my marrow.

Friday 20 November 2009

a dog's life

riley (a friend-of-a-friend's dog) has got it made. here he is, getting measured for his tailored gieves & hawkes winter coat.








oh look, and here he is on the vogue blog. obviously.

goosebumps



happy friday, pals. go get yourself a beer from the fridge. you've had a tough week and we're proud of you.

Thursday 19 November 2009

heaven can wait

deliriously weird and wonderful new video for charlotte gainsbourg & beck's new song:

Thursday 12 November 2009

a series of small cheers


let's hear it for wooden soldiers!
i want this little parade of wooden soldiers an unreasonable amount.

let's hear it for mat bickley!
anyone who can carry off a corduroy blazer while swearing like a sailor on shore leave, do his own dentistry, discuss miranda july and then send you on your way with a massive bearhug is a-ok with me. he's like a gold-toothed, foul-mouthed bill ackroyd circa 1986. also, his blog is marvellously weird.

let's hear it for throaty colds!
i can momentarily sing brian jonestown massacre's anenome roughly in the same key as mara keagle.


let's hear it for obsessive consumption!
the art project by kate bingaman-burt, not the pasttime. although lord knows i've done enough of the latter of late...you'd forgive me if you could see the cobalt blue skirt of wonder, though. ANYWAY. the obsessive consumption project documents the artist's personal daily purchases - and credit card statements - illustratively. must really turn the brief sting of a rash purchase into a slow ache. act in haste, repent at leisure, etc.

i'd consider giving it a go if it didn't make me apoplectic just to think about. i can't work out whether i'd be more self-conscious about my extravagances (another bottle of red! taxi!) or my scrimping (another tin of beans for lunch. 3 for £9 pants.).

binge. purge. repeat.

Wednesday 11 November 2009

in the queue

when the filmmaker richard rogers ('dick' to his friends) died in 2001 he left behind countless reels of film for the one project he couldn't find a way to finish - a documentary examining his own life. his wife asked his former student, alexander olch, to make the film her husband couldn't - he was just too close to the subject to see the story. turns out that making the autobiographical documentary required actors, scripts, and more than five years of olch's own film-making time.

it looks like it was worth it.



via the marvellous hollister hovey.